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Unknown
First published: December 1, 2024 - Last updated: December 1, 2024
TITLE INFORMATION
Author: Shania Andriana
Title: Women Objectification in The Last Duel (2021) Film By Ridley Scott
Subtitle: -
Journal: Journal of Gender and Millennium Development Studies - Jurnal Kajian Gender dan Pembangunan Milenium
Volume: 1
Issue: 2
Year: 2024 (Published online: November 7, 2024)
Pages: 56-68
pISSN: 3063-3842 -
Find a Library: WorldCat |
eISSN: 3063-3850 -
Find a Library: WorldCat
Language: English
Keywords:
Medieval History:
14th Century;
Modern History:
21st Century |
European History:
French History;
American History:
U.S. History |
Prosecution:
Trials /
Trial by Ordeal;
Cases:
Real Offenders /
Jacques Le Gris;
Cases:
Real Victims /
Marguerite de Carrouges;
Types:
Rape;
Offenders:
Social Status /
Noblemen;
Victims:
Social Status /
Noblewomen;
Representations:
Films /
The Last Duel
FULL TEXT
Link:
Academia Edu Cendekia Indonesia (Free Access)
ADDITIONAL INFORMATION
Author:
ORCID
Abstract:
»This qualitative study examines the portrayal of women's objectification in Marguerite through dialogues and scenes in “The Last Duel” film, employing Martha Nussbaum's objectification and Blain Brown's cinematography theory. The results portray Marguerite through three narrative structures based on the main characters: Jean De Carrouges, Jacques Le Gris, and Marguerite. Although the narrative technique aims to understand events from various perspectives, it is lacking in exploring Marguerite's emotions and feelings, especially as a victim of sexual violence. In addition, Objectification forms identified include instrumentality, denial of subjectivity, inertness, ownership, violability, and denial of autonomy. It demonstrates that Marguerite lives in a social environment related to patriarchal culture, in this case, the society in 14th-century France.«
(Source: Journal of Gender and Millennium Development Studies)
Contents:
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Abstract (p. 56) |
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1. Introduction (p. 56) |
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2. Method (p. 58) |
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2.1 Research Design (p. 58) |
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2.2 Data Source (p. 58) |
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2.3 Data Collection (p. 58) |
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2.4 Data Analysis (p. 58) |
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3. Result and Discussion (p. 59) |
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3.1 Marguerite’s Destiny in Three Acts of Narration (p. 59) |
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3.2 Marguerite’s Objectification in The Last Duel (p. 61) |
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3.2.1. instrumentality (p. 61) |
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3.2.2. Inertness (p. 62) |
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3.2.3. Denial of Subjectivity (p. 62) |
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3.2.4. Ownership (p. 63) |
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3.2.5. Violability (p. 64) |
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3.2.6. Denial of autonomy (p. 65) |
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4. Implications and Contributions (p. 65) |
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5. Limitation & Future Research Directions (p. 66) |
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6. Conclusion (p. 66) |
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Acknowledgments (p. 66) |
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Author Contribution Statement (p. 66) |
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Conflict of Interest Statement (p. 66) |
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Ethical Approval Statement (p. 67) |
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References (p. 67) |
Wikipedia:
History of Europe:
History of France /
France in the Middle Ages |
History of the Americas:
History of the United States /
History of the United States (2008–present) |
Trial:
Trial by ordeal /
Trial by combat |
Film:
Ridley Scott /
The Last Duel (2021 film) |
Sex and the law:
Rape /
Jacques le Gris,
Marguerite de Carrouges,
Rape in France
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